Cinematic LUT 24_5 for Sony SLog 3
$22,00 Original price was: $22,00.$9,00Current price is: $9,00.
Cinematic LUT 24_5 for Sony SLog 3 (Cinematic LUT 24-5 for Sony SLog-3) – If you’ve ever worked with Sony’s S-Log3 footage, you know that while its dynamic range and flexibility are unmatched, it also demands a solid color grading workflow to reach its full potential. That’s where the Cinematic LUT 24-5 comes in — a custom-crafted .cube LUT is designed specifically for Sony S-Log3 gamma and SGamut3.Cine color space.
Whether you’re a filmmaker, YouTuber, or content creator aiming for that cinematic aesthetic, LUT 24-5 helps you take your log footage from flat to filmic with just a few clicks.
🎨 Also check out our Film Emulation LUTs and DaVinci Resolve DCTLs collections.
Cinematic LUT 24_5 for Sony SLog 3 (Cinematic LUT 24-5 for Sony SLog-3) –🎞️ Unlocking Cinematic Color: Using LUT 24-5 with Sony S-Log3 Footage
If you’ve ever worked with Sony’s S-Log3 footage, you know that while its dynamic range and flexibility are unmatched, it also demands a solid color grading workflow to reach its full potential. That’s where the Cinematic LUT 24-5 comes in — a custom-crafted .cube LUT designed specifically for Sony S-Log3 gamma and SGamut3.Cine color space.
Whether you’re a filmmaker, YouTuber, or content creator aiming for that cinematic aesthetic, LUT 24-5 helps you take your log footage from flat to filmic with just a few clicks.
🎬 What Is LUT 24-5?
LUT 24-5 is a Look-Up Table (.cube format) designed to give your Sony S-Log3 footage a rich, cinematic look. It enhances contrast, color tone, and mood without crushing dynamic range or oversaturating skin tones. It works seamlessly across Adobe Premiere Pro, DaVinci Resolve, and Final Cut Pro.
🛠️ How I Use LUT 24-5 in Adobe Premiere Pro
Here’s a simple, effective workflow I follow to grade my S-Log3 footage using LUT 24-5:
1. Create an Adjustment Layer
In your timeline, add an adjustment layer and place it above your video clips. This allows you to apply the LUT non-destructively and make global changes easily.
2. Basic Color Correction on Original Footage
Select your original S-Log3 clip.
Apply Lumetri Color directly to the clip and adjust key parameters like:
Exposure – Balance the brightness and shadows.
White Balance – Correct temperature and tint.
Contrast, Shadows, Highlights – Fine-tune the image to prep it for the LUT.
💡 Think of this step as setting the stage for the LUT to shine. The better your base correction, the more cinematic the final look.
3. Apply LUT 24-5 to the Adjustment Layer
With the adjustment layer selected, open Lumetri Color again.
Navigate to the Creative tab (or Basic Correction > Input LUT) and load the
LUT 24-5.cube.Instantly, your footage takes on a polished, film-inspired tone with enhanced mood and depth.
🎥 Works in Other Editors Too
DaVinci Resolve
Apply LUT 24-5 in the Color page by right-clicking a node and selecting 3D LUT → LUT 24-5.
Final Cut Pro
Use the Custom LUT effect, then load LUT 24-5 in
.cubeformat from your library.
📌 Final Tips for Stunning Results
Always correct exposure and white balance before applying any LUT.
Use scopes like the Waveform Monitor and Vectorscope to maintain accuracy.
Don’t hesitate to dial back LUT intensity or add secondary color corrections for a custom touch.
✅ Conclusion
Color grading doesn’t have to be complicated — especially when you have tools like LUT 24-5 tailored for Sony’s S-Log3 workflow. Whether you’re delivering to the web, film, or broadcast, this LUT helps bring out the visual magic buried in your log footage.
Give LUT 24-5 a try and let your footage speak with cinematic clarity.
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Visual Aesthetic & Color Science
Tailored to address the unique color matrix of Sony mirrorless sensors, Cinematic LUT 24_5 for Sony SLog 3 neutralizes the notorious yellow-green color cast in skin tones and restores natural, healthy melanin warmth. The highlight rolloff curve is meticulously calibrated to soften digital clipping on harsh light sources, replicating the gentle shoulder of 35mm motion picture print film. Deep blacks retain rich texture without introducing muddy chroma noise in low-light environments.
Camera & Profile Compatibility
Camera & Sensor Compatibility: Calibrated for Sony S-Log3 / S-Gamut3.Cine on Sony FX3, FX30, FX6, FX9, A7S III, A7 IV, A7R V, and A6700. Fully compatible with both 10-bit 4:2:2 All-Intra and 8-bit XAVC S formats.
Step-by-Step Color Grading Workflow & Before/After Technique
Before & After Grading Workflow: When shooting Sony S-Log3, expose your image at +1.7 to +2.0 stops over base exposure (monitoring with a base 709 LUT or zebras set to 94% on skin highlights). In post-production, place Cinematic LUT 24_5 for Sony SLog 3 at the end of your color pipeline. Correct overall exposure and tint on a preceding node or layer, then tune the LUT mix to 80–100% intensity for authentic cinematic richness.
Supported Editing Software
Delivered in industry-standard 33×33×33 and 65×65×65 .CUBE 3D Look-Up Table formats. Universally compatible with:
- DaVinci Resolve (Studio & Free versions 17, 18, 19+)
- Adobe Premiere Pro & After Effects (Lumetri Color CC 2020 – 2026)
- Final Cut Pro X (via native Custom LUT effect)
- CapCut Desktop & Mobile (direct .CUBE import)
- Adobe Photoshop & Lightroom Classic (Color Lookup & XMP Profiles)
- VN Video Editor, LumaFusion, Filmora, and Sony Vegas Pro
Frequently Asked Questions
Q: How should I expose Sony S-Log3 footage before applying Cinematic LUT 24_5 for Sony SLog 3?
For cleanest results with Cinematic LUT 24_5 for Sony SLog 3, expose Sony S-Log3 at +1.7 to +2.0 EV over standard meter reading, using base ISO 800 or 12800 on dual-native ISO cameras like the FX3 and A7S III. This ensures noise-free shadows and smooth highlight rolloff.
Q: How do I install and apply Cinematic LUT 24_5 for Sony SLog 3 in my video editing software?
In Adobe Premiere Pro, open Lumetri Color → Creative tab → Look → Browse and select the .cube file. In DaVinci Resolve, place the .cube file into your Project Settings LUT folder and apply it to any node in the Color Page. In Final Cut Pro X, add the Custom LUT effect to your clip.
Q: Does Cinematic LUT 24_5 for Sony SLog 3 work with both 8-bit and 10-bit color footage?
Yes. While 10-bit footage (from cameras like Sony FX3, DJI Mavic 3, or iPhone 16 Pro) provides maximum grading elasticity, Cinematic LUT 24_5 for Sony SLog 3 is mathematically tuned with smooth tonal interpolation to prevent color banding even when applied to standard 8-bit video clips.
Q: Can I adjust the intensity of Cinematic LUT 24_5 for Sony SLog 3 to match my project style?
Yes. Every professional editing application includes an opacity or intensity slider (such as the Look Intensity slider in Premiere Lumetri or Key Output gain in DaVinci Resolve). We recommend starting at 100% and adjusting to between 70% and 90% for the most organic blend.
Related Products & Recommended Pairings
Enhance your filmmaking workflow by pairing this pack with these complementary color grading suites:
- LUTs 24 Series for Sony S-Log3 — Flagship Sony mirrorless conversion and stylized cinematic look series
- Sony S-Log3 Pike LUT Pack — Rich commercial grade contrast with true-to-life skin tone fidelity
- Free Starter LUTs Pack — Complimentary 4x .CUBE cinematic presets for testing on your camera timeline
In this case, a revocation can only be made if the buyer has not yet downloaded the files. However, we will consider granting refunds under certain circumstances (e.g. duplicate order, the wrong preset is sent). We will grant refunds at our reasonable price. If the buyer requests a refund and a download has not been performed, we will honor a full refund to the customer.
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- 10 designer LUTs
included
- Delivered in. Cube format
- Available as an instant download
- Compatible with most editing software; Adobe Premiere, Final Cut Pro, DaVinci Resolve, Photoshop, After Effects, Speed Grade, Filmora, AVID, Sony Vegas, and more.




