LUTs 24-6 for Sony S-Log3
$30,00 Original price was: $30,00.$12,00Current price is: $12,00.
LUTs 24-6 for Sony S-Log3 – 🎞️ Romantic & Cinematic: Using LUT 24-6 Series with Sony S-Log3 Footage
Sony’s S-Log3 gamma profile is a favorite among filmmakers for its rich dynamic range and flexibility in post-production. But with great flatness comes great responsibility — and that’s where the LUT 24-6 series steps in.
Created specifically for Sony S-Log3 footage in .cube format, the LUT 24-6 v1, v2, and v3 are designed to give your visuals a romantic, cinematic tone — perfect for wedding films, narrative pieces, travel stories, and mood-driven content.
🎨 Also check out our Film Emulation LUTs and DaVinci Resolve DCTLs collections.
LUTs 24-6 for Sony S-Log3 🎨 What Are the LUT 24-6 Variants?
Each version of LUT 24-6 brings a slightly different flavor while maintaining a unified romantic aesthetic:
LUT 24-6 v1 – Soft, film-like contrast with warm highlights and subtle color shifts.
LUT 24-6 v2 – Richer tones and slightly more saturation, great for golden hour or sunset scenes.
LUT 24-6 v3 – Balanced for neutral skin tones and ambient lighting, perfect for indoor or moody natural light.
All three are built for use with Sony S-Log3 + SGamut3.Cine footage.
🎥 Compatible with Major Editing Software
These .cube LUTs aren’t just for Premiere — they also work great in:
DaVinci Resolve: Load via the Color tab → Right-click node → 3D LUT → select your version.
Final Cut Pro: Apply the Custom LUT effect and import LUT 24-6 v1, v2, or v3.
🌅 When to Use Each LUT Version
V1 → Ideal for soft, romantic daylight scenes.
V2 → Best for warm evening shots, nature, and dreamy tones.
V3 → Great for low light, natural skin tones, and controlled lighting setups.
You can also experiment with blending LUT versions over different shots for dynamic storytelling or visual shifts between scenes.
🛠️ How I Use LUT 24-6 in Adobe Premiere Pro
Here’s my personal grading workflow, optimized for flexibility and consistency:
1. Create an Adjustment Layer
Add a new adjustment layer above your video clips in the timeline.
This makes your LUT application non-destructive and easy to manage across multiple clips.
2. Basic Color Correction on Original Clips
Select your original S-Log3 clip and apply Lumetri Color.
Adjust:
Exposure
Temperature / Tint
Contrast, Shadows, Highlights
For sunny or high-contrast scenes, I sometimes reduce LUT intensity to around 90% for a more natural roll-off.
For darker or moodier shots, you can increase or fine-tune the intensity based on visual balance.
🎛️ The goal is to normalize the log footage before applying the LUT, so the LUT does the creative work, not the technical correction.
3. Apply LUT 24-6 to the Adjustment Layer
Select the adjustment layer.
In Lumetri Color → Creative tab (or Basic Correction > Input LUT), load LUT 24-6 v1, v2, or v3.
Instantly, your footage gains that signature cinematic depth, soft highlights, and emotional warmth.

✅ Final Thoughts
The LUT 24-6 series offers more than just color — it offers emotion. Whether you’re crafting a love story, travel montage, or short film, these LUTs help shape the narrative tone of your footage with soft contrast, cinematic shadows, and gentle warmth.
Sony S-Log3 gives you the canvas. LUT 24-6 brings the brushstrokes.
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Visual Aesthetic & Color Science
Tailored to address the unique color matrix of Sony mirrorless sensors, LUTs 24-6 for Sony S-Log3 neutralizes the notorious yellow-green color cast in skin tones and restores natural, healthy melanin warmth. The highlight rolloff curve is meticulously calibrated to soften digital clipping on harsh light sources, replicating the gentle shoulder of 35mm motion picture print film. Deep blacks retain rich texture without introducing muddy chroma noise in low-light environments.
Camera & Profile Compatibility
Camera & Sensor Compatibility: Calibrated for Sony S-Log3 / S-Gamut3.Cine on Sony FX3, FX30, FX6, FX9, A7S III, A7 IV, A7R V, and A6700. Fully compatible with both 10-bit 4:2:2 All-Intra and 8-bit XAVC S formats.
Step-by-Step Color Grading Workflow & Before/After Technique
Before & After Grading Workflow: When shooting Sony S-Log3, expose your image at +1.7 to +2.0 stops over base exposure (monitoring with a base 709 LUT or zebras set to 94% on skin highlights). In post-production, place LUTs 24-6 for Sony S-Log3 at the end of your color pipeline. Correct overall exposure and tint on a preceding node or layer, then tune the LUT mix to 80–100% intensity for authentic cinematic richness.
Supported Editing Software
Delivered in industry-standard 33×33×33 and 65×65×65 .CUBE 3D Look-Up Table formats. Universally compatible with:
- DaVinci Resolve (Studio & Free versions 17, 18, 19+)
- Adobe Premiere Pro & After Effects (Lumetri Color CC 2020 – 2026)
- Final Cut Pro X (via native Custom LUT effect)
- CapCut Desktop & Mobile (direct .CUBE import)
- Adobe Photoshop & Lightroom Classic (Color Lookup & XMP Profiles)
- VN Video Editor, LumaFusion, Filmora, and Sony Vegas Pro
Frequently Asked Questions
Q: How should I expose Sony S-Log3 footage before applying LUTs 24-6 for Sony S-Log3?
For cleanest results with LUTs 24-6 for Sony S-Log3, expose Sony S-Log3 at +1.7 to +2.0 EV over standard meter reading, using base ISO 800 or 12800 on dual-native ISO cameras like the FX3 and A7S III. This ensures noise-free shadows and smooth highlight rolloff.
Q: How do I install and apply LUTs 24-6 for Sony S-Log3 in my video editing software?
In Adobe Premiere Pro, open Lumetri Color → Creative tab → Look → Browse and select the .cube file. In DaVinci Resolve, place the .cube file into your Project Settings LUT folder and apply it to any node in the Color Page. In Final Cut Pro X, add the Custom LUT effect to your clip.
Q: Does LUTs 24-6 for Sony S-Log3 work with both 8-bit and 10-bit color footage?
Yes. While 10-bit footage (from cameras like Sony FX3, DJI Mavic 3, or iPhone 16 Pro) provides maximum grading elasticity, LUTs 24-6 for Sony S-Log3 is mathematically tuned with smooth tonal interpolation to prevent color banding even when applied to standard 8-bit video clips.
Q: Can I adjust the intensity of LUTs 24-6 for Sony S-Log3 to match my project style?
Yes. Every professional editing application includes an opacity or intensity slider (such as the Look Intensity slider in Premiere Lumetri or Key Output gain in DaVinci Resolve). We recommend starting at 100% and adjusting to between 70% and 90% for the most organic blend.
Related Products & Recommended Pairings
Enhance your filmmaking workflow by pairing this pack with these complementary color grading suites:
- LUTs 24 Series for Sony S-Log3 — Flagship Sony mirrorless conversion and stylized cinematic look series
- Sony S-Log3 Pike LUT Pack — Rich commercial grade contrast with true-to-life skin tone fidelity
- Free Starter LUTs Pack — Complimentary 4x .CUBE cinematic presets for testing on your camera timeline
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- Programs Supported - Premiere Pro CC, After Effects CC, Final Cut Pro X, Speedgrade, Photoshop, Da Vinci Resolve, AVID, Sony Vegas 13 (Vision Color LUT plugin needed), Filmora and many more.
- The different camera LUTs are only guides to use on specific cameras. You can use any of these LUTs on any camera by adjusting the contrast S-curve settings.
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