Buy LUTs 24-6 for Sony S-Log3 - Cinematic LUTs & Presets
LUTs 24-6 for Sony S-Log3 Original price was: $30,00.Current price is: $12,00.
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Buy LUTs 24 Series for Sony S Log3 - Cinematic LUTs & Presets
LUTs 24 Series for Sony S Log3 Original price was: $49,00.Current price is: $25,00.

LUT24_7 for Sony FX30 SLOG3

Original price was: $22,00.Current price is: $9,00.

LUT24_7 for Sony FX30 SLOG3 ( LUTs 24-7 for Sony S-Log3 ) – for grading Sony S-Log3 footage to achieve a cinematic look, specifically using a .cube file format compatible with popular video editing software. Here’s a clearer breakdown of your workflow, and I’ll polish the explanation for better clarity and possible sharing (e.g., documentation or user guide):

🎞️ How to Use LUTs 24-7 for Sony S-Log3 (Cinematic Look)

Compatible With:

  • Adobe Premiere Pro

  • DaVinci Resolve

  • Final Cut Pro

  • Any software supporting .cube LUTs

🎨 Also check out our Film Emulation LUTs and DaVinci Resolve DCTLs collections.

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LUT24_7 for Sony FX30 SLOG3

🎬 LUTs 24-7 for Sony S-Log3 — A Cinematic Color Grading Experience

If you’re shooting in Sony S-Log3, you already know the power and flexibility this flat picture profile brings to the table. But to unlock its full potential, a great LUT (Look-Up Table) is essential — and that’s where LUTs 24-7 comes in.

This LUT, designed specifically for Sony S-Log3 footage, is built to transform your flat, desaturated image into a rich, cinematic visual — perfect for films, documentaries, music videos, and high-end content.

🎨 Why LUTs 24-7?

  • Tailored for Sony S-Log3

  • Designed for a cinematic tone — think natural skin tones, rich shadows, and film-like contrast

  • Works seamlessly across major platforms:

    • Adobe Premiere Pro

    • DaVinci Resolve

    • Final Cut Pro


💡 Pro Tips

  • Always correct exposure and white balance before applying the LUT for best results.

  • Use adjustment layers to keep things clean and organized.

  • Experiment with intensity — a little goes a long way.






















🛠️ How I Use LUTs 24-7 in Adobe Premiere Pro

Color grading can be an art, but having a structured workflow makes it consistent and efficient. Here’s my personal method for getting the most out of this LUT:

1. Create an Adjustment Layer
I place this layer above my footage in the timeline and apply Lumetri Color to it. This keeps my grading flexible and non-destructive.

2. Correct the Original Footage
Next, I apply Lumetri Color to the actual S-Log3 clip. This is where I dial in the essentials:

  • Exposure

  • White balance (temperature and tint)

  • Contrast

  • Saturation

  • Shadows and highlights

This step ensures the LUT has a balanced base to work with.

3. Apply the LUT
Back in the adjustment layer, under the Creative tab of Lumetri Color, I load the LUTs 24-7 (cube format).
Depending on the scene’s lighting, I often tweak the LUT intensity — usually setting it to around 90% for harsh daylight scenes or increasing it for darker footage.


🎥 Final Thoughts

Whether you’re a filmmaker or a content creator aiming for that premium cinematic look, LUTs 24-7 for Sony S-Log3 offers a fast, reliable, and beautiful color grade starting point. It’s not just a LUT — it’s a mood, a tone, and a tool that brings your vision to life.


 

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Visual Aesthetic & Color Science

Tailored to address the unique color matrix of Sony mirrorless sensors, LUT24_7 for Sony FX30 SLOG3 neutralizes the notorious yellow-green color cast in skin tones and restores natural, healthy melanin warmth. The highlight rolloff curve is meticulously calibrated to soften digital clipping on harsh light sources, replicating the gentle shoulder of 35mm motion picture print film. Deep blacks retain rich texture without introducing muddy chroma noise in low-light environments.

Camera & Profile Compatibility

Camera & Sensor Compatibility: Calibrated for Sony S-Log3 / S-Gamut3.Cine on Sony FX3, FX30, FX6, FX9, A7S III, A7 IV, A7R V, and A6700. Fully compatible with both 10-bit 4:2:2 All-Intra and 8-bit XAVC S formats.

Step-by-Step Color Grading Workflow & Before/After Technique

Before & After Grading Workflow: When shooting Sony S-Log3, expose your image at +1.7 to +2.0 stops over base exposure (monitoring with a base 709 LUT or zebras set to 94% on skin highlights). In post-production, place LUT24_7 for Sony FX30 SLOG3 at the end of your color pipeline. Correct overall exposure and tint on a preceding node or layer, then tune the LUT mix to 80–100% intensity for authentic cinematic richness.

Supported Editing Software

Delivered in industry-standard 33×33×33 and 65×65×65 .CUBE 3D Look-Up Table formats. Universally compatible with:

  • DaVinci Resolve (Studio & Free versions 17, 18, 19+)
  • Adobe Premiere Pro & After Effects (Lumetri Color CC 2020 – 2026)
  • Final Cut Pro X (via native Custom LUT effect)
  • CapCut Desktop & Mobile (direct .CUBE import)
  • Adobe Photoshop & Lightroom Classic (Color Lookup & XMP Profiles)
  • VN Video Editor, LumaFusion, Filmora, and Sony Vegas Pro

Frequently Asked Questions

Q: How should I expose Sony S-Log3 footage before applying LUT24_7 for Sony FX30 SLOG3?

For cleanest results with LUT24_7 for Sony FX30 SLOG3, expose Sony S-Log3 at +1.7 to +2.0 EV over standard meter reading, using base ISO 800 or 12800 on dual-native ISO cameras like the FX3 and A7S III. This ensures noise-free shadows and smooth highlight rolloff.

Q: How do I install and apply LUT24_7 for Sony FX30 SLOG3 in my video editing software?

In Adobe Premiere Pro, open Lumetri Color → Creative tab → Look → Browse and select the .cube file. In DaVinci Resolve, place the .cube file into your Project Settings LUT folder and apply it to any node in the Color Page. In Final Cut Pro X, add the Custom LUT effect to your clip.

Q: Does LUT24_7 for Sony FX30 SLOG3 work with both 8-bit and 10-bit color footage?

Yes. While 10-bit footage (from cameras like Sony FX3, DJI Mavic 3, or iPhone 16 Pro) provides maximum grading elasticity, LUT24_7 for Sony FX30 SLOG3 is mathematically tuned with smooth tonal interpolation to prevent color banding even when applied to standard 8-bit video clips.

Q: Can I adjust the intensity of LUT24_7 for Sony FX30 SLOG3 to match my project style?

Yes. Every professional editing application includes an opacity or intensity slider (such as the Look Intensity slider in Premiere Lumetri or Key Output gain in DaVinci Resolve). We recommend starting at 100% and adjusting to between 70% and 90% for the most organic blend.


Related Products & Recommended Pairings

Enhance your filmmaking workflow by pairing this pack with these complementary color grading suites:


Unless otherwise specified, all digital products in our store are non-refundable after purchase. However, when purchasing digital products (LUTs and other digital goods in the form of software or files), the buyer automatically waives the right of withdrawal, as digital goods/downloads become irrevocably the buyer’s property after the download.

In this case, a revocation can only be made if the buyer has not yet downloaded the files. However, we will consider granting refunds under certain circumstances (e.g. duplicate order, the wrong preset is sent). We will grant refunds at our reasonable price. If the buyer requests a refund and a download has not been performed, we will honor a full refund to the customer.

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