SLOG2 and SLOG3 Cinematic Luts
$64,00 Original price was: $64,00.$29,00Current price is: $29,00.
SLOG2 and SLOG3 Cinematic Luts. This Pack includes 16 original cinematic Luts. To get a good result, it is necessary to have the right exposure. Exposure – +2.0. (+2.0) It doesn’t have to be changeable. Properly selected white balance. It works with most of the software that supports LUT cube files. Adobe Premiere Pro, Final Cut Pro, DaVinci Resolve, Adobe After Effects, etc.
Camera – All Sony cameras have Slog2 & 3 picture profiles. Setting – S-log2 & 3 , S-Gamut3. exposure +2.0 To get the best result from our luts, we highly recommend adjusting the setting to the same as described above. In the package, you will find sample images with the correct exposure SLOG2 & SLOG3 profiles. (Exhibition +2.0)
🎨 Also check out our Film Emulation LUTs and DaVinci Resolve DCTLs collections.
SLOG2 and SLOG3 Cinematic Luts
🎬 Unlock Cinematic Color with S-Log2 & S-Log3 LUTs: 16 Original Looks for Sony Cameras
Color grading is one of the most powerful tools in a filmmaker’s toolkit—and with the right LUTs, you can turn flat S-Log footage into stunning cinematic visuals with just a few clicks.
We’re excited to introduce our S-Log2 & S-Log3 Cinematic LUT Pack, featuring 16 original LUTs designed specifically for Sony camera users. Whether you’re shooting narrative films, travel videos, music content, or client work, this LUT pack gives your footage the professional polish it deserves.
https://youtu.be/cxKbz2-Ut4A
🎨 What Makes These LUTs Special?
These LUTs are tailored for footage shot in S-Log2 and S-Log3 profiles using S-Gamut3 color mode, which is standard across most Sony mirrorless and cinema cameras. The pack is built to deliver rich contrast, beautiful skin tones, and cinematic color dynamics—without sacrificing detail in the shadows or highlights.
✅ Recommended Settings for Best Results
To get the most out of these LUTs, it’s essential to shoot with the correct exposure and color settings:
Picture Profile: S-Log2 or S-Log3
Color Mode: S-Gamut3
Exposure: +2.0 EV (slightly overexposed to preserve shadow detail)
White Balance: Set properly in-camera (important for color accuracy)
📸 Note: Sony cameras typically underexpose S-Log footage by default, so setting your exposure to +2.0 stops is key to getting clean, grade-ready footage. This ensures that the LUTs perform as intended—without heavy noise reduction or crushed blacks.


🧩 Broad Software Compatibility
All LUTs are provided in standard .cube format, making them compatible with virtually all major editing and grading software:
Adobe Premiere Pro
Final Cut Pro X
DaVinci Resolve
Adobe After Effects
And any platform that supports LUT import
📦 What’s Inside the LUT Pack?
✅ 16 unique, handcrafted cinematic LUTs (.cube)
✅ Sample images showcasing proper exposure in S-Log2/S-Log3
✅ Designed for Sony Alpha and Cinema Line cameras
✅ Plug-and-play simplicity for fast turnaround
🎥 Why Use S-Log LUTs?
S-Log profiles give you a ton of flexibility in post-production by capturing more dynamic range. However, without proper grading, S-Log footage can look dull, flat, and lifeless. Our LUTs are designed to bring that footage to life—with cinematic contrast, vivid tones, and subtle film-like color curves.
🔧 Quick Tips for Applying LUTs
Apply a LUT after correcting exposure and white balance (either in-camera or in post).
Use the LUT on an adjustment layer or grading node, so you can fine-tune opacity or mix it with other effects.
Adjust contrast and saturation as needed to match your creative vision.
✨ Final Thoughts
Whether you’re a content creator, filmmaker, or YouTuber, our S-Log2 & S-Log3 Cinematic LUT Pack helps you save time and achieve consistent, professional-looking results. Just shoot, expose correctly, and let the LUTs do the rest.
🎁 Ready to elevate your color game? Download the pack today and start transforming your S-Log footage into cinematic gold.
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Visual Aesthetic & Color Science
Tailored to address the unique color matrix of Sony mirrorless sensors, SLOG2 and SLOG3 Cinematic Luts neutralizes the notorious yellow-green color cast in skin tones and restores natural, healthy melanin warmth. The highlight rolloff curve is meticulously calibrated to soften digital clipping on harsh light sources, replicating the gentle shoulder of 35mm motion picture print film. Deep blacks retain rich texture without introducing muddy chroma noise in low-light environments.
Camera & Profile Compatibility
Camera & Sensor Compatibility: Calibrated for Sony S-Log3 / S-Gamut3.Cine on Sony FX3, FX30, FX6, FX9, A7S III, A7 IV, A7R V, and A6700. Fully compatible with both 10-bit 4:2:2 All-Intra and 8-bit XAVC S formats.
Step-by-Step Color Grading Workflow & Before/After Technique
Before & After Grading Workflow: When shooting Sony S-Log3, expose your image at +1.7 to +2.0 stops over base exposure (monitoring with a base 709 LUT or zebras set to 94% on skin highlights). In post-production, place SLOG2 and SLOG3 Cinematic Luts at the end of your color pipeline. Correct overall exposure and tint on a preceding node or layer, then tune the LUT mix to 80–100% intensity for authentic cinematic richness.
Supported Editing Software
Delivered in industry-standard 33×33×33 and 65×65×65 .CUBE 3D Look-Up Table formats. Universally compatible with:
- DaVinci Resolve (Studio & Free versions 17, 18, 19+)
- Adobe Premiere Pro & After Effects (Lumetri Color CC 2020 – 2026)
- Final Cut Pro X (via native Custom LUT effect)
- CapCut Desktop & Mobile (direct .CUBE import)
- Adobe Photoshop & Lightroom Classic (Color Lookup & XMP Profiles)
- VN Video Editor, LumaFusion, Filmora, and Sony Vegas Pro
Frequently Asked Questions
Q: How should I expose Sony S-Log3 footage before applying SLOG2 and SLOG3 Cinematic Luts?
For cleanest results with SLOG2 and SLOG3 Cinematic Luts, expose Sony S-Log3 at +1.7 to +2.0 EV over standard meter reading, using base ISO 800 or 12800 on dual-native ISO cameras like the FX3 and A7S III. This ensures noise-free shadows and smooth highlight rolloff.
Q: How do I install and apply SLOG2 and SLOG3 Cinematic Luts in my video editing software?
In Adobe Premiere Pro, open Lumetri Color → Creative tab → Look → Browse and select the .cube file. In DaVinci Resolve, place the .cube file into your Project Settings LUT folder and apply it to any node in the Color Page. In Final Cut Pro X, add the Custom LUT effect to your clip.
Q: Does SLOG2 and SLOG3 Cinematic Luts work with both 8-bit and 10-bit color footage?
Yes. While 10-bit footage (from cameras like Sony FX3, DJI Mavic 3, or iPhone 16 Pro) provides maximum grading elasticity, SLOG2 and SLOG3 Cinematic Luts is mathematically tuned with smooth tonal interpolation to prevent color banding even when applied to standard 8-bit video clips.
Q: Can I adjust the intensity of SLOG2 and SLOG3 Cinematic Luts to match my project style?
Yes. Every professional editing application includes an opacity or intensity slider (such as the Look Intensity slider in Premiere Lumetri or Key Output gain in DaVinci Resolve). We recommend starting at 100% and adjusting to between 70% and 90% for the most organic blend.
Related Products & Recommended Pairings
Enhance your filmmaking workflow by pairing this pack with these complementary color grading suites:
- LUTs 24 Series for Sony S-Log3 — Flagship Sony mirrorless conversion and stylized cinematic look series
- Sony S-Log3 Pike LUT Pack — Rich commercial grade contrast with true-to-life skin tone fidelity
- Free Starter LUTs Pack — Complimentary 4x .CUBE cinematic presets for testing on your camera timeline
In this case, a revocation can only be made if the buyer has not yet downloaded the files. However, we will consider granting refunds under certain circumstances (e.g. duplicate order, the wrong preset is sent). We will grant refunds at our reasonable price. If the buyer requests a refund and a download has not been performed, we will honor a full refund to the customer.
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Our team is incredibly responsive and takes pride in taking care of our customers. Please feel free to get in touch with us via the contact page or email us directly at [email protected] with any questions or concerns and we’ll be happy to help within 24 hours.
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